"El Orinoco es uno de los ríos más importantes del mundo, no tanto por su longitud y caudal (2.140 km y algo más de 30.000 m³/s), ni por la extensión de su cuenca (un millón de km²); ni siquiera por las peculiaridades que encierra..."
Wikipedia.
Oscar 'Papa' Celestin plays "Tiger
Rag" in "Cinerama Holiday". Born in 1884, "Papa"
Celestin was active in New Orleans music before it was known as jazz.
He was famous for being a visually entertaining bandleader. This clip
was made near the end of his life, when the New Orleans Jazz revival
gave his carrer a late lift. It is taken from the film "Cinerama
Holiday", released in 1955, made to demonstrate the
possibilities of a sort of surround vision cinema system. (viaGhostOfBuddyBolden).
The Mound City Blue Blowers were an
American novelty jazz ensemble, formed in St. Louis, Missouri and
given its nickname. It was co-founded by Red McKenzie and Jack Bland
and performed during in the 1920s and 1930s.
First assembled in 1923, the group's
original members were Red McKenzie playing comb and tissue paper,
Dick Slevin on kazoo, and Jack Bland on banjo. The band also
included, in lieu of a drum kit, a traveler's suitcase played with
foot and whisk brooms. Their debut recording, the 1924 release
"Arkansas Blues" b/w "Blue Blues", was a hit in
the Midwest. They recorded twelve tunes in 1924 and 1925; Frankie
Trumbauer and Eddie Lang played on some of the tracks.
In 1929-1931 the group also made at
least two short performance films: The Opry House (1929) and Nine
O'Clock Folks (1931), which included "I Ain't Got Nobody","Let
Me Call You Sweeheart," "My Gal Sal" and "St.
Louis Blues."
After 1925, McKenzie recorded under his
own name as a vocalist, but returned to the Mound City name in 1929
for several sessions with jazz stars including Jack Teagarden,
Coleman Hawkins, Glenn Miller, and Pee Wee Russell. In 1931, the
group recorded with McKenzie, Hawkins,Muggsy Spanier, and Jimmy
Dorsey. The last recordings to bear the Mound City name, 25 songs
from 1935-1936, included appearances from Nappy Lamare, Spooky
Dickenson, Billy Wilson, Bunny Berigan, Yank Lawson, and Eddie
Miller.
Red Nichols and his Five Pennies
(Vitaphone, 1929).Young Eddie Condon, Pee Wee Russel and Miff Mole
among others. Features a hot rendition of China Boy as
well as Eddie Condon on the vocals for Nobody's Sweetheart.
"Emperor Hirohito was a lifelong fan of Mickey Mouse and other Disney characters. As a child he called his hobby horse Snow White (the Imperial Household Agency told outsiders it was called White Snow). When he made a state visit to America in 1975, Hirohito insisted on visiting Disneyland in California, where he signed Mickey's guestbook and purchased a Mickey Mouse watch, which he wore for the rest of his life. Hirohito died in 1989 and was buried with his Mickey Mouse watch still on his wrist." (Texto via Rue Rude)
Krzysztof Wodiczko's Homeless Vehicle (1988-89) allows the homeless to perform an act of resistance. Not only does the vehicle draw attention to the housing problem and the resulting homelessness that characterized New York in the 1980s, but it also doubles symbolically as a weapon. (via Evictions. Arts and the Politics of Urban Renewa)